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Watch the full interview here.
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“Valley understands the seriousness of representing people this way, and he chooses his targets carefully. His indelible and monstrous caricatures can’t make up for the horrors and injustices caused by their targets, but at least they attempt, with their graphic intricacy, to hold people accountable… Few other contemporary artists have devoted themselves quite so boldly to the idea that the people who say and do hateful things should look exactly as disgusting as their words and actions.”
“If you’ve been online, and especially on Twitter, then you probably know the name Eli Valley and his brushy drawings that use the grotesque and absurd to make larger points about life, culture, and politics. But it wasn’t until the Trump administration that the New York City-based cartoonist was propelled into the public spotlight. Valley was attacked by a wide range of politicians, particularly Republicans, including Meghan McCain”
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“[Glen Ford] was a Vietnam-era veteran, a Black Panther, and a broadcaster—so he brought all of that, the totality of his life experience, to his work as a writer and as an activist… Glen always put black people in the forefront of his thought as a committed socialist, and that’s really clear in the book.”
“These days, Myles enjoys the status of esteemed downtown New York cultural figure… They are now often stopped on the street by young and deferential writers who wish to express appreciation for the work Myles produced in a grittier city that lives on only in myth… Myles toiled on the margins for decades before experiencing a mainstream revival upon the 2015 reissue of their 1994 autobiographical novel, ‘Chelsea Girls.’ It won new admirers, suddenly appearing tucked inside tote bags at bookish Brooklyn coffee shops, and a character based on the author appeared on the show ‘Transparent.’”
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Listen to the full interview here.
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“The Compensation Bureau is no tonic for our blues, but it qualifies as a warning to Look Up and see the stars and know our place before it’s too late. And Dorfman writes with love. The book is worth a read.”
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