”You get unflinching honesty when you read O’Neil’s stuff. The world is dark and full of terrifying people with horrible intentions, and O’Neil has made a place for himself by exploring all that in a way that’s engaging but also doesn’t make the reader feel like a dummy. Part of it is O’Neil is removed far from the media world of NYC or the Beltway drama of D.C. (well, he’s in Boston, so maybe not that far in terms of mileage) but I also think it’s because he’s got that punk/DIY training, so instead of feeling like you’re reading something handed down from a skyscraper in the middle of a big city, it’s more like being at a basement show and the band is telling you to crowd closer to them. There’s an intimacy about it, and the real emotion that comes through. O’Neil is a writer, journalist, commentator, editor, publisher, or whatever he wants to call himself. But he’s also a human, and the things he’s writing about, I have to believe, trouble him deeply.”

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