Studio, as its title suggests, is an exercise not so much in the remembrance of Chris Marker, but a remembrance, as viewed through the sole essay contributed by cineaste-critic Colin MacCabe to the volume. As much as Marker shunned publicity of any kind during his lifetime (1921-2012, remarking pointedly “My films are enough”), for Studio an array of selected photographs of his Paris workspace by Adam Bartos documents the rest.

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